Well she can see at this point, so that's hardly fair.
This is maybe a little unfair, as the production values are excellent and like The Orphanage it feels impressively cinematic for what it is and a couple of sequences manage to rap up the tension pretty effectively, and by all accounts its assembled a pretty effective cast. Belen Rueda was one of the main reasons why The Orphanage worked so well, so naturally she's been recruited again, fulfilling her transition into a later in life scream-queen. It also has Lluis Homar, so excellent in a couple of Almodovar films, but particularly Broken Embraces. The film flat out wastes him though, instead choosing to focus pretty much on Rueda solo, and while she does her best, a weak script and a pretty poorly drawn character make her irritating in places. There's also a weird tonal inconsistency, in that in the first half of the film it masquerades as a Supernatural horror movie and once it reveals itself not to be, it suddenly doesn't make a whole lot of sense. You can almost forgive this in an execution over content kind of way, but make no mistake this is a much stupider movie then it pretends to be.
Still, I enjoyed it in places and director Guillem Morales knows how to put together a creepy sequence. It perhaps would have been better if he could write a screenplay worth a damn, but often in the horror genre you have to take what you can get, and this has a pretty classy veneer and I think forced blindness is a concept that generally works in movies, at least at providing cheap thrills. So I think it's a recommendation, only one that has quite a few caveats. And yes the whole last 20 minutes is pretty ridiculous.
Rating: 6/10
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